Wednesday, December 31, 2008

Killer Mike continues his critical acclaimed success with being awarded HipHopDX's Album of the Year

How do you end the perfect year? For Killer Mike it was receiving the award for both Album of The Year (I Pledge Allegiance To The Grind II) and Video of the Year (“Pressure”) from online powerhouse, HipHopDX. Being recognized on numerous top 10 lists in major music magazines that include XXL, URB and XLR8R is just a continuation of this joy ride Mike has been coasting on all year long.

The beginning of 2008 started with Mike embarking on his indie venture. He signed a deal with SMC Recordings and began putting the finishing touches on his upcoming release. With SMC's undeniable support, Mike was able to do the album he had wanted to do for sometime. In July he released I Pledge Allegiance To The Grind II to critical acclaim. Receiving recognition from his peers and his fans has been a blessing for Mike and has shown him that his hard work for the past year has certainly paid off. Mike explains, ''When I completed Pledge II... the three statements that came to mind were 'The era of the Bullshit Is over', 'fire your Boss and be a Boss' and 'this album is the Soundtrack to Your Success'. As I continue on my grind, I run into supporters who tell me Pledge II has inspired everything from quitting trappin' and going legit, to people in military service, small business starts-ups as well as being just simply motivational music to get through the day."
One of Mike's many fans included fellow ATL-ien and chart topping rapper, TI. After expressing interest in Mike as a possible addition to his Grand Hustle label, TI offered a major label record deal to Mike that would still give him the opportunity to be his own boss by recording and releasing albums through indie favorite, SMC Recordings. Mike looks forward to the New Year, “In '09 I look forward to furthering the gospel of the grind through my partner ship with SMC and also forming a new and valued partner ship with TI and Grand Hustle.”

2008 was a phenomenal year for Killer Mike, Is it possible for him to top it? With a new album coming out in the spring, I Pledge Allegiance To The Grind III, and many other projects in the works - 2009 looks like it will be a banner year for this amazing artist!

Steve Harvey responds to Katt William diss record

Steve Harvey responds to Katt William diss record

Saturday, December 27, 2008

Willie D Of The Geto Boys Spawns Controversial New Rap Group

Willie D, most known for his role in the platinum-selling Houston based rap group The Geto Boys, who spawned classic mega hits including "Mind Playing Tricks On Me," is no stranger to controversy. With his often hard-edged music that often conveys positive social messages, he is now introducing rap fans to the group Huntzville, the newest signing on his Relentless Music label. Just like the Geto Boys, Huntzville is a trio, and has message-laden music laced within their harsh reality raps. However, unlike the trigger happy Geto Boys, Huntzville is comprised of three white rappers, D-Boi (aka Dustin Young), Lil' Fly (aka Stephen Fox) and his brother C-Lean (aka Ryan Fox). Collectively, Huntzville has a "Backpack Fulla Guns," and they are fully ready to unload it as their first single, in preparation for their upcoming debut album Disrupting The Ordinary, slated for release in early 2009.

The outspoken group hails from Huntsville, Texas, home of the notorious prison that inspired a song of the same title by country singer Merle Haggard. These prison city playas live just an hour outside of Houston. After receiving one of their demos from a music business seminar and being impressed with what he heard, Will immediately decided he wanted to sign and mentor the group. Huntzville opened up the reunion show for the Geto Boys this past July.
Instead of reflecting on the "Mind Of A Lunatic," Huntsville's debut single, "Backpack Fulla Guns," takes the listener inside the mind of a student that is going to commit a high school shooting. Pearl Jam had addressed this phenomenon brilliantly, coming from the state of an observer in the band's prolific hit "Jeremy." Conversely, the rappers in Huntzville are addressing the message from the point of view of the shooter.

Huntzville feels that if a kid is at the point where he wants to shoot someone in his school, and if he listens to this song, and he sees that somebody understands, maybe he will change his mind about shooting someone. C-Lean notes, "This is a topic that no one else is musically approaching in hiphop, and we wanted to make a strong point of it." He adds, "Everybody can relate to being bullied or bullying. We wanted to get a dialogue going on this. It is so commonplace today, that on CNN the other day, they only ran a little tickertape on the bottom of the screen, saying there was another school shooting in Jersey. These are not even featured stories any more. No one seems to care."

"The trend is that lot of rappers are not doing anything that is going to be relevant in five years. There is so much trendy stuff and dance stuff," observes C-Lean. "We wanted to do something of substance that you could listen to in twenty years from now that would still be applicable. Unfortunately, kids are still going to be bullied in school 20 years from now, so people will relate to this topic in many ways, from many points of view."

D-Boi acknowledges the controversy surrounding some of the group's songs that will be released. He explains, "The single has a lot of meaning behind it. It's not just a bunch of killing people. It's not just mindless violence. We wanted to put a mirror up through this song, to show society that they're not doing enough about this. These shootings are going on all over America, and they are a worldwide problem. Our job with the song is to remind people we need to take care of it, or it is going to keep happening."

All one has to do is go to google news and type in "bullying" and "school," and literally thousands of hits come up.

Lil Fly notes, "We're not excusing it, glorifying it, or saying this uncontrollable reaction is what you should do. We're trying to say this exists, and there are people who honestly feel like this, and who feel they have a reason and right to do this. We're just bringing you inside what drives a person to be like this."

Lil' Fly says that it is particularly outrageous that some bullies grow up to be police officers that find people to bully. "What just happened in Houston to Donald Driver's father is deplorable," he notes. "Donald is in the Green Bay Packers, and is very involved in his community, and doing a lot of positive stuff. The police recently arrested his father, Marvin, at his home, and they reportedly took him to a gas station, where they beat him unconscious. He was unresponsive at the jail, so he was taken to the hospital, where he was listed as being in critical condition. He is getting better now. But this is what happens when bullies remain unchecked," asserts Lil' Fly.
Geto Boy Willie D, CEO of the group's label has the group's back, and is ready to defend the group in light of any ensuing controversy. In fact, Will feels so strongly, that he has penned a statement that can be found on the group's website, which in part, states, "Not so long ago, the repercussions of bullying meant you got sent to the principal's office or home. Today, bullies are being sent to the cemetery, often accompanied by other students and teachers. Where are the parents? I'll tell you where they are. Many of them are standing at the door, waiting for their child to walk through the door, so they can smack them across the head, just because they feel like it. Many of these parents stand in complete denial, causing their son or daughter to become bullies, themselves. Most children learn abusive behavior from the violence and abuse they experience at home. In an effort to seek what they errantly perceive as a feeling of power, or being "superior," such children bully, tease, put down, harass, or otherwise torment one or more victims."

Will points out the trial currently being held against Lori Drew, a 49 year-old Missouri woman that used a fake MySpace persona to bully a thirteen year old girl into committing suicide, the first criminal trial ever held involving cyber-bullying. Will, who was born as Willie Dennis, also stated on the Huntzville's website, "Many of the parents are bullies, themselves, so they see nothing wrong with it. Some maladjusted parents even co-opt with their child to abuse, torment or put down other children. Many parents vicariously pass on this behavior."

The group urges those who are dealing with issues of bullying to come to their website, and read Will's complete statement, check out Huntzville's videos and music, and post their own experiences with bullying.

True Hip-Hop Stories - Kwame

True Hip-Hop Stories - Kwame from D-Nice on Vimeo.

Wednesday, December 24, 2008


TOP 5 Suspects Accused of Killing Hip Hop in 2008


Chamillionaire's Mixtape Messiah 6 featuring: Crooked I, Lil Keke, Lil Flip, Trae Tha Truth, The BossHogg Outlaws & Chalie Boy.

Dropping Tuesday, January 13, 2009

Chamillionaire will release Mixtape Messiah 7 before his upcoming 3rd major label album release VENOM.

For daily updates you can call Chamillionaire at 832.514.4730 and stay logged on to


1. Best Rapper Alive

2. Love of Money Feat. Trae Tha Truth

3. Throwdest in the game

4. Mixtape Murder

5. The Evaluation

6. One Day Feat. J-Dawg

7. That's You

8. Track Wrecka Feat. Lil Flip

9. Everything Feat Crooked I

10. Switch Styles Reloaded

11. Murder They Wrote Feat. Killa Kyleon & Lil Ray

12. Roy Wood Jr. Outta Jail Skit

13. For the Moment

14. Shawty Feat. Chalie boy

15. Venom on the Way

16. Shine So Clean Feat. Lil Keke

17. Expensive Crack Pipe

18. Judge Judy

19. Nothin Else to Say


Monday, December 22, 2008


STREETS TALK DVD, the crossroad between the streets and the industry, is releasing the seventh installment of its critically acclaimed series on December 30, 2008, entitled THE THREE AMIGOS.

THE THREE AMIGOS is a real life documentary, starring LIL WAYNE, JIM JONES and JUELZ SANTANA as three blood brothers that will stop at nothing to become the best in the game. DJ SCOOB DOO is the man who orchestrates this special edition of STREETS TALK DVD, with behind the scenes footage of WEEZY, CAPO and JUELZ highlighted as three of the most influential figures in hip hop today. This DVD captures the hard work and dedication it takes to get to the top, and how to maintain the position with style.

Since Streets Talk DVD first dropped, the series has truly become "where the streets get their news from". THE THREE AMIGOS also features guest appearances from BABY, DAME DASH, MIKE EPPS, SKULL GANG, BYRD GANG and much more! BONUS FEATURES include an extended clip of the highly anticipated LOST IN YONKERS DVD, hosted by JADAKISS.

For a sneak peak of Streets Talk DVD: The Three Amigos, go to:

Michael Jackson Issues Statement re Recent Alleged Medical Condition Rumors

Michael Jackson’s official and sole spokesperson, Dr. Tohme Tohme, in response to recent rumors regarding Michael’s alleged medical condition, has issued the following statement:

“Concerning this author’s allegations, we would hope in the future that legitimate media will not continue to be exploited by such an obvious attempt to promote this unauthorized ‘biography.’

The writer’s wild allegations concerning Mr. Jackson’s health are a total fabrication.

Mr. Jackson is in fine health, and finalizing negotiations with a major entertainment company & television network for both a world tour and a series of specials and appearances.”

Donny Goines "Ricky's Story"

Donny Goines "Ricky's Story" Dir: Mills Miller from MillsMillerMedia on Vimeo

Friday, December 19, 2008

Keyshia Cole Talks About New Album Track-by-Track

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Wednesday, December 17, 2008

Are Akon and T-Pain smoking dope?

OK, I am hearing T-Pain bitch about everyone using the Auto-Tune (Used mostly by people who have no real vocal skills) and not crediting him with starting a trend his ugly ass ain’t even start! And now, Akon is saying because of him and T-Pain, rappers are starting to sing in their songs now. Why is it that these young ignant artists nowadays don’t know their history? Don’t they realize that groups like the Force MC’s (Later changing their name to Force MD’s BECAUSE of their ability to sing!), the Crash Crew, the Treacherous Three were singing melodies before they were even born?!?!??! This is a shame that these artists take credit for shit they use to mask their inability to carry a tune! If you a rapper, RAP, if you’re a singer, SING!

Monday, December 15, 2008

Wale “Nike Boots”

Official Wale "Nike Boots" video (Directed by Chris Robinson) from Elitaste on Vimeo.

MUSICANE Adds SONY BMG and EMI Music Digital Catalogues to Online Shopping Network

Social shopping network Musicane today announced it will add digital catalogues from SONY BMG Music Entertainment and EMI Music to its offerings. These recordings will be sold in the unrestricted MP3 format through the Musicane site (, as well as through its popular Musicane widget, which is embedded on major artist's blogs and social networks and on over 500,000 internet users own websites or community profiles. Musicane inked a deal with Universal Music Group earlier this year which also granted the company a license to sell its entire catalogue in the MP3 format.

"We are honored to be working with the largest labels in the music industry to help them reach their consumers more directly. At Musicane, our core belief is that music is the unifying lifestyle driver, particularly online through fans' social networks and related blogs. By partnering with the largest content providers and their artists, we have built a win-win business model for distributing and retailing products to today's growing online communities," said Musicane President & COO Vikramaditya Jain.

Under the terms of the agreement, Musicane will offer tracks from SONY BMG Music Entertainment's vast historical catalog and more than 100,000 tracks from EMI Music to the service. Artists who will initially be available through Musicane in the coming months include Beyoncé, Britney Spears, Coldplay, David Cook, John Legend, Kanye West, Katy Perry, Pink, Sara Bareilles, The Killers, U2, and Wyclef Jean.

Initially rolling out in the music space, Musicane's proprietary widgets allow users to personalize and embed their own media storefronts on their social network profiles and blogs. Users can purchase music downloads without leaving the page they are on utilizing the company's unique embedded commerce technology. Through the Musicane model, users can now earn money from their existing social network presence as well as recommend their favorite music and artists.

With these deals in place, Musicane will now serve as an authorized digital retailer to three of the four major music entertainment companies, delivering 80% of the world's major label musical content to consumers for the ultimate interactive online shopping, entertainment and discovery experience.

Today Musicane widgets are widely used by major artists on their websites and social network profiles and have generated over 70 million impressions in 2008. Approximately 500,000 people have embedded Musicane widgets on their profiles with ten million widgets employed through artist launches.

About Musicane
A social shopping network blending online shopping and social networking, Musicane was founded by Internet entrepreneurs Vikramaditya Jain and Sudhn Shahani. Musicane benefits consumers through easier product discovery, participation in sales revenue and bringing the shopping and discovery experience to their existing social communities.

Sunday, December 07, 2008

An Open Letter to Fellow Urban Website Editors, Bloggers, Magazine and Newspaper Writers

I know it’s hard to get by a day without using the N word that we have so richly accepted and embraced in this Hip-Hop/Black culture. I know it’s easy to continue to use the word without abandon simply because it’s a part of our vernacular. I can even agree that I’ve been caught up in the constant use of the word, but, can we make a collaborative effort to stop using that term in the presence of ‘company’?

I try my best not to use the word in my articles, rants and columns, unless done so for emphasis, not to say that it’s right, but just to drive home a point sometimes. What I hate seeing, is when I read a magazine, such as XXL, and the first column I read, within the first two paragraphs, I am already exposed to the N word and then I think to myself, ‘Damn, we are not in the hood speaking amongst ourselves anymore’. Hip-Hop has such a diversified audience nowadays that every word that is literally spoken or written in Hip-Hop is exposed to the masses and we have to stop and wonder why ‘others’ feel as if they can comfortably repeat a statement, phrase or a verse they hear on a rap record or read in an article.

Now, I hate to call out Datwon Thomas, because he is one of the few guys that I honestly like from a standpoint of being a good guy (Except the fact that I haven’t written not one article for XXL, KING or any other Harris property!) or any other Website Owner or Editor that has control over these matters, but we NEED to be careful with what we are putting out there for the masses. None of us would want to hear a white or Asian person using that word so freely, but how can we get mad when we are putting it out there for them to use. And not only use but use in front of us?

I’ve been advocating for years for artists to curb the use of the ignorance of the word but of course, money talks and most rappers continue to use the N word in song. Nowadays, we hear it blatantly on the radio and if the radio stations don’t even bleep it out anymore, then what does that tell us?

It’s bad enough that most popular publications and websites report the negativity that goes on in Hip-Hop without offering the positive aspects of this community. We, as property owners or delegators of content, should be held to a higher standard ESPECIALLY the more popular publications and I would like to see the use of the N word brought to a minimum when you KNOW your audience is mostly the general public.

Collectively, we have to take responsibility for what the general audience is seeing and PARTICULARLY, our children are witnessing the lack of respect not only against us, but amongst us.

Saturday, December 06, 2008


"An album so exquisite, so assured, it threatens to invent an entirely new strand of urban pop music...the best album released this year, an information-age masterpiece" - Washington Post
“His new album, ‘808s & Heartbreak’, is austere and disciplined…a new burst of creativity that rivals his debut, "The College Dropout…With ‘808s & Heartbreak,’ West tears down…his previous three albums and builds something bold and new in their place. His current musical vision may be dark, but it can also be beautiful." – Newsday

“An introspective, minimal electro-pop record steeped in regret, pain, and even more self-examination…West's pain is articulated in ways that, while borne from his experiences, can be easily translated to the listener's. The kind of universality is a staple of great pop…” - Pitchfork

“The Chicago rapper hangs a dramatic left on ‘808s & Heartbreak’, an album whose frosty, minimal sound backs lyrics of surprisingly raw emotion…he offers this glimpse of the soul beneath the swagger, and we like him better for it.” – EW

“On ‘808s & Heartbreak,’ Mr. West is done letting himself off the hook…The product of a tumultuous year in his personal life, it operates solely on the level of catharsis — no commentary, no self-consciousness, no concern for anything but feeling…Every song on the album is rife with anguish, and his lyrics, about the shards of broken relationships… can carry a fresh sting.” – NY Times

"An extremely intriguing, sporadically gripping, undeniably fearless and altogether unexpected piece of his troubled soul." - Chicago Sun Times

December 4, 2008 – New York, NY – Certainly amongst the most talked-about and debated pop moments in recent memory, Kanye West’s bold, controversial new album 808s & Heartbreak has resonated with listeners around the world; like his previous three albums, 808s has entered the charts on top.

To call 808s a ‘departure’ from West’s signature sound is more oversimplification than understatement. Rolling Stone refers to the album as West’s Blood On The Tracks while others have called it his Kid A; both watershed moments in the creative developments that would follow for those legendary artists. If anything, The 10-time Grammy-award winner has broadened the idea of what his sound can be: global pop, tribal rhythms, brooding atmospherics and stark electronics are mixed deftly with soaring melodies and arena-sized anthems. One thing is clear: very rare, and riskier still, is the moment when a pop artist of such global acclaim, influence and success releases a record as a pure art piece, a raw creative outlet. On 808s, West’s shattering of musical boundaries has torn down, for once and for all, the limitations of genre.

The experiment has been dangerous and controversial, but rewarding. As Kanye said on his blog this week: “People really have their feathers ruffled about this album, don't they? Good!” In a recent interview with MTV News, Kanye described the spark that led to the album: "It was just what was in my heart," Kanye explained. "The type of ideas that I was coming up with, the melodies that were in me — what was in me I couldn't stop.”

Recorded in just three weeks in Hawaii, 808s and Heartbreak pulses with that creative urgency. From the hypnotic opening plea “Say You Will,” to the dramatic closing tribute “Coldest Winter,” 808s explores feelings of paranoia, guilt, isolation, and ultimately heartbreak – the name Kanye gave to the mix of autotune, delay and distortion he used to effect his vocals throughout.
“Kanye’s brilliant new album has been re-affirming for me,” said Island Def Jam chairman Antonio “LA” Reid. “It re-affirms my faith in the power and energy and excitement of music, on a very pure level. I congratulate him for it.”

Last night, Kanye picked up 6 Grammy nominations for Song of the Year for “American Boy” w/Estelle, Best Rap Performance By A Duo or Group for “Put On” w/Young Jeezy and “Swagga Like Us” w/ JAY-Z, T.I., & Lil Wayne, Best Rap/Sung Collaboration for “American Boy” w/Estelle, Best Rap Song for “Swagga Like Us” w/ JAY-Z, T.I., & Lil Wayne and Album of the Year for Tha Carter III (Featured Artist).

As West wraps the final international leg of his acclaimed, sold-out Glow In The Dark tour in Australia this week, he will continue to support of 808s & Heartbreak, including a performance on Saturday Night Live next Saturday, December 13th. Tonight, “Street Lights,” a track from the new album, will be featured in Grey’s Anatomy. Moving into the new year, West promises the launch of several design and fashion collaborations and ventures, as well as continued musical travels and adventures. Stay tuned…

Thursday, December 04, 2008

Brandy 'Long Distance'


Songwriter/producer, RedOne, aka The Melody King has earned his first U.S. Grammy Nomination as producer of "Just Dance," the Lady GaGa smash single in the Best Dance Song Category. Reached in a Miami studio where he’s working on a collaboration with Akon and Enrique Iglesias RedOne was elated, "This is such an honor. For a guy from Morocco to come to America and achieve this speaks to the greatness of this country. I promise this is just the beginning. My goal is to keep producing music that gets better and better." RedOne won a Song of the Year Swedish Grammy Award in 2005 for producing, "Step Up" by Scandinavian singer Darin. RedOne is also celebrating the release of Akon's highly anticipated CD Freedom on which he produced several tracks. RedOne produced 7 tracks on Lady Gaga’s debut CD The Fame. "Just Dance" is #5 and rising on the Billboard Hot 100 Singles Chart. It peaked at # 1 on the Australian ARIA Top 50 Singles Chart, It also peaked at #1 on the Top 20 Canadian Singles Chart, #11 on the Top 100 Norwegian Airplay chart, #7 on the Denmark Top 40 music chart, #15 on the RIANZ New Zealand Top 40 Singles Chart and # 16 on the Switzerland Top 100 singles chart.

"Poker Face," the second RedOne production from the CD, is also a proven hit. It's already #1 on the RIANZ New Zealand Top 40 Singles Chart and at #3 on the Australian ARIA Top 50 Singles Chart. In the United States The Fame debuted at #1 on the Billboard Top Electronic Albums Chart and #17 on the Billboard 200 Chart, with sales of 24,000 copies sold in its first week. The LP was also #1 on the Canadian Album chart.

Having established himself as a top global producer and songwriter, RedOne has kept close ties with the international community that launched him into prominence. Born in Morocco, RedOne rebelled against his aristocratic upbringing and set off to Sweden, ground zero for the thriving pop music scene in the early 90‘s. Inspired by the kinetic energy, a penniless RedOne took odd jobs and slept on a recording studio floor just to stay close to the music. After a short stint in a rock band, he began to refine his producing and songwriting skills and scored a publishing deal with BMG. RedOneE2s sound is a convergence of rhythms of his native Morocco and the Euro-pop that inspired him early on. His career jumped off with successful stints writing and producing CD tracks by Nordic artists such as the wildly popular A*Teens. In 2004, RedOne hit it big with the European smash “Step Up,” winning both Swedish Grammy and Scandinavian Song of the Year awards with frequent co-writer Bilal Hajji. In March of 2006, RedOne produced a "mash-up" of Shakira‘s "Hips Don't Lie" featuring Wyclef Jean which brought him international attention from various artists and record companies.

It's rumored that RedOne was recently in the studio with Michael Jackson along with his production partner Akon to mastermind Jackson's new album due in 2009. He was also one of the producers responsible for the musical success of New Kids On The Block new CD The Block, which debuted at #2 on the Billboard Top 200 Albums Chart. Aside from working with Lady Gaga, RedOne is in the studio non stop and has upcoming releases with some of the most respected artists in the business including Enrique Iglesias whose Greatest Hits LP released November 11th which features the RedOne produced single "Takin' Back My Love" (featuring Ciara). He’s also worked with Brandy (Epic), Lionel Richie (Island), Flypside (Interscope), Menudo (Epic), Varsity (Virgin), and Tami Chynn’s SRC/Universal debut which he co-produced with Akon. He has also garne red praise for his previous work with Robyn, Cheetah Girls, Christina Milian, Tiffany Evans, and 3LW, to name a few.


Gnarls Barkley, the chart-topping, genre-defying combination of Danger Mouse and Cee-Lo, has garnered three Grammy nominations: Alternative Album of the Year for the acclaimed LP The Odd Couple, Best Pop Performance by a Duo or Group for the hit single "Going On," and Best Video for director Chris Milk's controversial clip for "Who's Gonna Save My Soul." Also, for the third time in four years, Danger Mouse is up for Best Producer.

"Thanks!" said a spokesperson for the band. "You guys own." Danger Mouse and Cee-Lo were unavailable for comment due to a mini-golf tournament.

In 2007, Gnarls Barkley received five nominations, won two Grammys, and gave a characteristically cinematic performance.

Monday, December 01, 2008

How Come Rappers Don’t Have Dramatic Comebacks?

With the recent resurgence (Once Again!) of Britney Spears, I noticed that with all the shenanigans and scandals and hysteria surrounding Britney, she has managed to again make a successful comeback or at least capture the attention of Mainstream America. It got me to thinking that this is like, her third comeback and is it really fair that rappers don’t have the same opportunities?

Let’s think about it. Not taking anything away from Britney Spears but when was the last time a rapper was allowed to get away with a third of the shit Britney has gotten away with and then get accepted back like she was always sane? She has been through 2 marriages, 2 divorces, 2 pregnancies, that alone would eliminate any and all rappers from getting the chance to get back in the spotlight, unless, of course, it was an arrest or drug-related incident. Can you really imagine Mainstream America allowing a Foxy Brown or a Lil Kim getting away with that?

And she has shown a little craziness with the shaving of the hair, going completely bald, smashing cars with umbrellas and hitting paparazzi with vehicles, yet, she has never spent a day in jail. She was sent to the loony bin, have had control of her finances taken from her, kids taken away and yet, she will no doubt have a number one album again! She is allowed to get away with all this shit, yet we vilify DMX when he goes on one of his many rants and speed chases. Why can’t the Hip-Hop community welcome a DMX with open arms the way Mainstream America is willing to accept crazy ass Britney back?

Freeway - Month of Madness